Once all the research has been done, designing the costumes can begin.ĭesigners often have to use their imagination when designing the costumes for productions such as fairy-tales, fables, animated stories or mythological themes. In larger organisations, such as film and television companies and performing arts councils, various people do these tasks.Īfter receiving information from the producer about the production, a designer does research on the style of clothing, the material used, the headgear, hairstyles and other relevant information on the specific period in which the production will take place. In smaller enterprises, where costumes are designed and patterns and materials cut, one person does machine work, needlework and the designing of all the accessories. Most large organisations provide costume designers with sophisticated materials and well-equipped workrooms.Ĭostume designers often work on their own and decide for themselves where they want to work and also buy their own materials. In larger companies specialists do this, but the designer must supervise the process and take responsibility for the final product. Those designers working for small companies often need to do the cutting and machining themselves. The designer also needs knowledge of fabrics in order to be able to depict the period accurately. This is especially important when action such as dancing or fencing form part of the performance. Some period costumes need to look heavy, yet should be designed in such a way that the actors can move freely. Costume designers need to ensure that the particular historical period of the performance is accurately reflected in the costumes, right down to the last accessory, including hats, shoes, gloves and even hairstyles.Ĭostume designers need to be able to work creatively within certain restrictions. Costume designers design the costumes for live performances and television and film productions.
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